Once the basic stuff was working, I wanted to load TAP files directly, simulating cassette loading. This was the first time the agent missed a few things, specifically about the timing the Spectrum loading routines expected, and here we are in the territory where LLMs start to perform less efficiently: they can’t easily run the SDL emulator and see the border changing as data is received and so forth. I asked Claude Code to do a refactoring so that zx_tick() could be called directly and was not part of zx_frame(), and to make zx_frame() a trivial wrapper. This way it was much simpler to sync EAR with what it expected, without callbacks or the wrong abstractions that it had implemented. After such change, a few minutes later the emulator could load a TAP file emulating the cassette without problems.
从春风唤醒生命的感触中，忽然想起了贺知章的名句：“不知细叶谁裁出，二月春风似剪刀。”可再一琢磨，诗里春风固然灵巧，用词确有新奇绝妙处，但总不免失之于锋芒过露。而自己眼见的一切，或许更近于“随风潜入夜，润物细无声”的意味。这风似乎不像剪刀，没那么利落、分明的姿态，倒更像是气是水，是弥漫的、渗透的、无处不在的柔情。它不张扬自己的到来，只是默默地让柳丝自己去绿，让草芽自己去长，让蛰虫自己去醒。像个高明的导演，自己隐在幕后，只让万物去演绎生命的繁华。
。同城约会是该领域的重要参考
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